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Showing 1 - 15 of 15 matches in All Departments
Is addiction a disease, a sin, a sign of hypersensitivity, a personal failing, or a unique resource for the creative mind? However it is defined, addiction can have devastating consequences, often shattering lives, sundering families, causing impoverishment, and even triggering suicide. Yet it can also be a source of inspiration. In these frank essays, leading American and Canadian writers explore their surprisingly diverse personal experiences with this complex phenomenon, candidly recounting what happened when alcohol, heroin, smoking, food, gambling, or sex -- sometimes in combination -- took over their lives.
The most notable work of fiction from our most beloved modernist poet, The Enormous Room was one of the greatest yet still not fully recognized American literary works to emerge out of World War I. Drawing on E. E. Cummings s experiences in France as a volunteer ambulance driver, this novel takes us through a series of mishaps that led to the poet s being arrested for treason and imprisoned. Out of this trauma Cummings produced a work like no other a story of oppression and injustice told with his characteristic linguistic energy and unflappable exuberance, which celebrates the spirit of the individual and offers a brave and brilliant opposition in the face of the inhumanity of war. Illustrated with drawings Cummings made while imprisoned in France and featuring an illuminating new introduction by Susan Cheever, this reissued edition offers a unique and multifaceted lens onto the inner life of the poet in his youth and demands recognition by a twenty-first-century readership."
In DRINKING IN AMERICA, bestselling author Susan Cheever chronicles our national love affair with liquor, taking a long, thoughtful look at the way alcohol has changed our nation's history. This is the often-overlooked story of how alcohol has shaped American events and the American character from the seventeenth to the twentieth century. Seen through the lens of alcoholism, American history takes on a vibrancy and a tragedy missing from many earlier accounts. From the drunkenness of the Pilgrims to Prohibition hijinks, drinking has always been a cherished American custom: a way to celebrate and a way to grieve and a way to take the edge off. At many pivotal points in our history-the illegal Mayflower landing at Cape Cod, the enslavement of African Americans, the McCarthy witch hunts, and the Kennedy assassination, to name only a few-alcohol has acted as a catalyst. Some nations drink more than we do, some drink less, but no other nation has been the drunkest in the world, as America was in the 1830s, only to outlaw drinking entirely a hundred years later. Both a lively history and an unflinching cultural investigation, DRINKING IN AMERICA unveils the volatile ambivalence within one nation's tumultuous affair with alcohol.
Pioneering feminist novels and rare stories from the author of "Little Women" After the success of her beloved masterpiece "Little Women," Louisa May Alcott brought her genius for characterization and eye for detail to a series of revolutionary novels and stories that are remarkable in their forthright assertion of women's rights. This second volume of The Library of America's Alcott edition gathers these works for the first time, revealing a fascinating and inspiring dimension of a classic American writer. The first of a trio of novels written over a fruitful three-year period, "Work: A Story of Experience" (1873) has been called the adult "Little Women." It follows the semi-autobiographical story of an orphan named Christie Devon, who, having turned twenty-one, announces "a new Declaration of Independence" and leaves her uncle's house in order to pursue economic self-sufficiency and to find fulfillment in her profession. Against the backdrop of the Civil War years, Christie works as a servant, actress, governess, companion, seamstress, and army nurse--all jobs that Alcott knew from personal experience--exposing the often insidious ways in which the employments conventionally available to women constrain their selfdetermination. Alcott's most overtly feminist novel, Work breaks new ground in the literary representation of women, as its heroine pushes at the boundaries of nineteenth-century expectations and assumptions." Eight Cousins" (1875) concerns the education of Rose Campbell, another orphan who, in her delicate nature and frail health, seems to embody many of the stereotypes of girlhood that shaped Alcott's world. But with the benefit of an unorthodox, progressive education (one informed by the theories of Alcott's transcendentalist father Bronson Alcott) and the good and bad examples of her many crisply drawn relations-- especially her seven boy cousins--Rose regains her health and envisions a career both as a wife and mother and as a philanthropist. Further advancing Alcott's passionate advocacy of women's rights, Rose insists that she will manage her own fortune rather than find a husband to do it for her. This Library of America edition includes several noteworthy features. All three novels are presented with beautifully restored line art from the original editions and are supplemented by seven hard-to-find stories and public letters (two restored to print for the first time in more than a century), an authoritative chronology of Alcott's life, and notes identifying her allusions, quotations, and the autobiographical episodes in her fiction.
"To be up all night in the darkness of your youth but to be ready
for the day to come...that was what going to Brown felt like."
--Jeffrey Eugenides
Louisa May Alcott never intended to write Little Women. She had
dismissed her publisher s pleas for such a novel. Written out of
necessity to support her family, the book had an astounding success
that changed her life, a life which turned out very differently
from that of her beloved heroine Jo March.
We've all felt the giddy flutter of excitement when our new lover walks into the room. Waited by the phone, changed our plans...But are we in love, or is there something darker at work? In "Desire: Where Sex Meets Addiction," Susan Cheever explores the shifting boundaries between the feelings of passion and addiction, desire and need, and she raises provocative and important questions about who we love and why. Elegantly written and thoughtfully composed, Cheever's book combines unsparing and intimate memoir, interviews and stories, hard science and psychology to explore the difference between falling in love and falling prey to an addiction. Part one defines what addiction is and how it works -- the obsession, the betrayals, the broken promises to oneself and others. Part two explores the possible causes of addiction -- is it nature or nurture, a permanent condition or a temporary derangement? Part three considers what we can do about it, including a provocative suggestion about how we describe and treat addiction, and a look at the importance of community and storytelling. In the end, there are no easy answers. "A straight look about some crooked feelings," Desire shows us the difference between the addiction that cripples our emotions, and healthy, empowering love that enhances our lives.
The 1850s were heady times in Concord, Massachusetts: in a town where a woman's petticoat drying on an outdoor line was enough to elicit scandal, some of the greatest minds of our nation's history were gathering in three of its wooden houses to establish a major American literary movement. The Transcendentalists, as these thinkers came to be called, challenged the norms of American society with essays, novels, and treatises whose beautifully rendered prose and groundbreaking assertions still resonate with readers today. Though noted contemporary author Susan Cheever stands in awe of the monumental achievements of such writers as Ralph Waldo Emerson, Henry David Thoreau, Nathaniel Hawthorne, Herman Melville, and Louisa May Alcott, her personal, evocative narrative removes these figures from their dusty pedestals and provides a lively account of their longings, jealousies, and indiscretions. Thus, Cheever reminds us that the passion of Concord's ambitious and temperamental resident geniuses was by no means confined to the page....
A portrait of Alcoholics Anonymous co-founder Bill Wilson traces his austere northeast childhood, service in World War II, personal battle with alcoholism, unconventional long-term marriage, and creation of the Twelve Step Program. Reprint. 25,000 first printing.
Born into a world ruled and defined by the cocktail hour, in which the solution to any problem could be found in a dry martini or another glass of wine, Susan Cheever led a life both charmed and damned. She and her father, the celebrated writer John Cheever, were deeply affected and troubled by alcohol. Addressing for the first time the profound effects that alcohol had on her life, in shaping of her relationships with men and in influencing her as a writer, Susan Cheever delivers an elegant memoir of clear-eyed candor and unsettling immediacy. She tells of her childhood obsession with the niceties of cocktails and all that they implied -- sociability, sophistication, status; of college days spent drinking beer and cheap wine; of her three failed marriages, in which alcohol was the inescapable component, of a way of life that brought her perilously close to the edge. At once devastating and inspiring, Note Found in a Bottle offers a startlingly intimate portrait of the alcoholic's life -- and of the corageous journey to recovery.
In Home Before Dark, Susan Cheever, daughter of the famously talented writer John Cheever, uses previously unpublished letters, journals, and her own precious memories to create a candid and insightful tribute to her father. While producing some of the most beloved and celebrated American literature of this century, John Cheever wrestled with personal demons that deeply affected his family life as well as his career. In this poignant memoir of a man driven by boundless genius and ambition, Susan Cheever writes with heartwrenching honesty of family life with the father, the writer, and the remarkable man she loved.
In this compelling companion volume to her acclaimed memoir "Home Before Dark, " Susan Cheever once again gives readers a revealing look into her famous family, whose secrets and eccentricities parallel their genius and successes. Set against the backdrop of Treetops, the New Hampshire family retreat where the Cheevers still summer, and going back several generations, this powerful remembrance focuses on Susan Cheever's mother's family, and includes portraits of her great-grandfather, Thomas Watson, who invented the telephone with Alexander Graham Bell, and her grandfather Milton Winternitz, a brilliant doctor who built Yale Medical School. And of course there is her beloved and talented father John Cheever, the accomplished author who became one of the most well-known writers of the century, often using his family as material. Perhaps most riveting about Susan Cheever's second biographical masterpiece is its exploration of the lives of the Cheever women. At once a unique family portrait and the tale of every family, "Treetops" draws us effortlessly into a fascinating yet endearingly familiar world.
It is no surprise that Little Women, the adored classic of four sisters and their enduring devotion to and protection of one another, was loosely based on Louisa May Alcott's own life. Alcott drew from her own personality to create a unique protagonist: Jo, willful, headstrong, and undoubtedly the backbone of the March family, is a heroine unlike any seen before. Follow the sisters from innocent adolescence to sage adulthood, with all the joy and sorrow of life in between, and fall in love with them and this endearing story.
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